The Terror Factory: Inside the FBI’s Maufactured War on Terrorism
A groundbreaking work of investigative journalism, The Terror Factory: Inside the FBI’s Manufactured War on Terrorism exposes how the FBI has, under the guise of engaging in counterterrorism since 9/11, built a network of more than fifteen thousand informants whose primary purpose is to infiltrate Muslim communities to create and facilitate phony terrorist plots so that the Bureau can then claim it is winning the war on terror. The paperback edition of The Terror Factory includes all new information on the FBI’s counterterrorism efforts related to the 2013 Boston Marathon bombing, as well as how the government has used (potentially illegally) FISA information in sting cases.
*Insert chemtrail jingle.*
Climate engineering — which could slow the pace of global warming by injecting reflective particles into the upper atmosphere — has emerged in recent years as an extremely controversial technology. And for good reason: it carries unknown risks and it may undermine commitments to conserving energy. Some critics also view it as an immoral human breach of the natural world. The latter objection, David Keith argues in A Scientist’s Case for Climate Engineering, is groundless; we have been using technology to alter our environment for years. But he agrees that there are large issues at stake.
This book was mentioned in show 663 and some clips were played from an interview with Azar Nafisi. In there was even a quote from Ray Bradbury. Azar makes the case for fiction in the modern democratic society.
From the publisher:
Taking her cue from a challenge thrown to her in Seattle, where a skeptical reader told her that Americans don’t care about books the way they did back in Iran, she energetically responds to those who say fiction has nothing to teach us. Blending memoir and polemic with close readings of her favorite American novels—The Adventures of Huckleberry Finn, Babbitt, and The Heart Is a Lonely Hunter, among others—she invites us to join her as citizens of her “Republic of Imagination,” a country where the villains are conformity and orthodoxy and the only passport to entry is a free mind and a willingness to dream.